When the music flows like lifeblood under the skin, it is inevitable to face the console with the passion and magnetism. So Filippo Nardi lived for more than twenty years his work as a DJ and music producer, alternating the registration of production companies for a number of prestigious labels such as collaborations with internationally renowned DJs such as Dave Dorrell and CJ Macintosh in the Wag in London Carl Cox and Paul Oackenfold the evening dell'Heaven Spectrum (London), Fat Tony and Paul Anderson enteritis The Dragon (London) (since I put the following the party on the premises may be disposed of here, otherwise it 's a bit redundant).
Draw a map of where Filippo Nardi played, excited, involved the audience, means to wander all over the world, stopping in more innovative and stimulating musical reality: New York, Berlin, Miami, London in which many local dj began in the 80 - Heaven, Enter the Dragon, Spectrum, The wag, Subterranea - The Pacha in Ibiza and, on the Italian territory, White (Genoa), and Tyto Dome (Catania), Lift at Tocqueville (Milan) Loft (Roma), Ultraviolet (Teramo), Mazoom (Sirmione - Brescia), Kursaal (Lignano Sabbiadoro), Tenax (Florence) Velvet (Napoli). From the album
Understand this groove and Changes, made in the period 88/89 to 10 under the name The Virgin UFI (The Universal funk industry) to Love and Love is the message for Phonogram Records Inc, Philip has confirmed its vocation to experiments and inventions chameleon. Skills acquired since the '80s, when he became the musical activity in the multifaceted context of the London underground subculture.
Born in '69 in a multiethnic neighborhood of the British capital with a high level of artistic and cultural hybridization, Philip grows breath and dive in the emerging house scene, so appreciate the contamination between electronic music and genres like reggae, soul and new wave. His passion for sound research is so sincere as to make him, in 1993, to withdraw from the music business and the local: the desire to shape a sound exploration and daring indeed finds itself in sharp contrast to the growing and marketing of over- house-music and the underground subculture that he considers the foundation of his musical and personal roots. Slightly below, 1995, is moving to Italy where, after a tense pause to regain plurality of language and creativity, Philip embraces artistic activity following multiple paths.
Under the name The Melody Maker realized, for the Revox Records, Torch: reinterpretation of one of his favorite songs by Soft Cell The project is, inter alia, the contribution of Margo, emerging group of highly esteemed in the underground. Fired from a prestigious German retailer, the Great Stuff Records, the first single release is enhanced with the remixes made by Extrawelt. It was such a sales success, Torch is currently umpteenth reissue thanks to the numerous requests from the market and appreciation of world famous DJs. Always with the same pseudonym, Filippo records Killing Moon, in collaboration with Edo B. (Resident of Plastic in Milan) and, for the record Gasoline, Real good remix of funky shit. Creations that demonstrate his propensity and opening a restless melodies, rhythms and vibrations never predictable, rather than a personality characterized by an elegant and original style. At the request of
Revox Italy Records, releases the remix of life in partnership with City of Andreino Mas Collective founded on a relationship of mutual respect between two individuals, this initial project will lead Philip to become executive producer on a continuous basis for the Men's records Andreino the same. The value of this successful cooperation is also evidenced by the intense and varied activities carried out: among others, take for example Losing You "album in '88 wrote that the British DJ with the pseudonym Uncle Dog, now decides to produce and remix from Dino Lenny , Dj Remo and Edo B.
As is evident from brief references on the activity record, Filippo Nardi personality who likes to pierce the boundaries between genres and languages, which seeks to compare and unpredictability: for this continues to attend the most neglected areas, where more than irregular and sensual beats the game of the interpenetration of bodies and sounds, those in which the rhythms and seduce scratch the skin. The fascination with the club, with their energy-rich atmosphere, is so visceral index of attention to the musical dimension has always been central in relation to other experiences of Philip in the world of communications and entertainment. While strong television exposure the has in fact offered the possibility to recur as a DJ, the same forced him for the first time in entering the world of local circuits in often distant from his fondness for experimental sounds fine, able to hear any known to corrode. In its intention
DJ set becomes forge processing of sounds and rhythms, joint belting, speed, size, deep inspiration and creativity. What in fact the more personalized style of playing and producing Filippo Nardi is his feeling the world of the underground as a part of himself, as an essence that innervates the artistic and expressive, not something acquired, and then, but constitutive of the character and quality of his sound.
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